The main difference between this and the existing Nikon D3, is the megapixel difference and some other, more minor features. Basically, the resolution and quality of the D3x is now comparable with medium-format imagery -- 140 MB 15-bit TIFF files.

 

Cost? $8,000.

 

Please, begin wetting yourself with the following samples:

http://imaging.nikon.com/products/imaging/lineup/digitalcamera/slr/d3x/sample.htm

http://chsvimg.nikon.com/products/imaging/lineup/d3/d3x-sp/en/

 

--

 

http://www.dpreview.com/news/0812/081201nikond3x.asp

Nikon has announced the D3X, its latest high-resultion professional DSLR. Sporting an imaging sensor with double the number of photosites of the popular D3, the 24.5 megapixel D3x includes similar features such as a 3.0", 920,000 dot LCD monitor with Live View, 51-point autofocus, EXPEED image processing and HDMI output. To keep up with the demands of stock photography the camera produces 50MB 14-bit RAW files that can be processed to produce 140MB TIFFs. It also supports Nikon’s wireless system and is compatible with Nikon’s new GP-1 GPS unit.

 

Amsterdam, the Netherlands, 1 December 2008 - Nikon Europe today introduced its new top-of-the-range D-SLR, the D3X. Building on the reliability, handling and durability of the award-winning D3, the D3X offers an imaging sensor with far higher resolution than its counterpart, breaking new ground in imaging quality. The all-new 24.5MP CMOS sensor makes the new camera eminently suitable for the broadest range of shooting situations, both in the studio and on location, and will be especially appreciated by uncompromising photographers in nature photography, studio work and fashion.

 

“This is the camera that many professional photographers have been waiting for,” said Robert Cristina, Manager Professional Products and NPS at Nikon Europe. “Just as the D3 has become the professionals’ camera of choice in sports photography, the D3X’s extremely high imaging resolution will raise the bar for commercial, fashion and stock photography. The results speak for themselves: this is without doubt our highest-quality camera to date.”

 

The World is Your Studio

The D3X boasts a specially-developed FX-format CMOS image sensor with 12-channel readout, gapless micro lens array and on-chip noise reduction. It delivers class-leading levels of continuous shooting speed and noise management at higher sensitivities without sacrificing detail.

 

The D3X supports a broad ISO range from ISO 100-1600, extendable down to ISO 50 and up to 6400 equivalent with up to 5 fps continuous shooting at full resolution, or 7 fps in the 10MP DX-crop mode. The acclaimed Multi-CAM3500FX 51-point autofocus system enables extremely accurate single-point accuracy with outstanding dynamic tracking for fast moving subjects in low light.

 

The camera’s LiveView function offers a smooth workflow option, perfect for studio work or other situations where the use of the viewfinder is impractical. The camera also delivers a superb response rate, with a start-up of just 12 milliseconds and 40ms shutter lag. The Kevlar/carbon fibre composite shutter has been designed for intensive professional needs and tested to 300,000 cycles.

 

Images with the X factor

The D3X reaps the benefits of the very latest developments in sensor design and image processing technology. Designed to produce files suitable to meet the demands of tomorrow’s commercial and stock requirements, the camera produces 50MB 14-bit NEF (Raw) files. Using Capture NX2 software, NEF files can be processed into medium format terrain; 140MB (16-bit TIFF-RGB). Fine details are reproduced with incredible clarity, whilst shadows and highlights contain tonal gradation with minimal clipping for pictures with a unique look and feel.

 

Intuitive control

The D3X shares the same ergonomics and handling as the D3, which have been designed to enable anyone to get to work quickly and efficiently. The bright, uncluttered viewfinder features 100% coverage and comprehensive illuminated displays, while the high-definition, 3-inch, 920,000-dot VGA TFT monitor enables outstanding playback quality for on-the-spot image assessment. The D3X’s magnesium body, which is sealed for moisture and dust resistance, also supports Nikon’s wireless system (the WT-4), HDMI output, offers a dual slot for CF cards and is compatible with the new GP-1 GPS unit

 

[see more at the URL above.]

Holy SH!T.

 

Thank God it's priced high enough that I don't even need to worry about lusting for one!

 

Anyway, as soon as enough people sink their bankrolls into those, someone will come up with a camera that rivals large format, for $1,000 - $2,000 less. :|

 

Sometimes it's nice to be able to just give up.

 

[Edit December 8, 2008] If Nikon follows their established pattern, give them about three or four months and they'll announce a prosumer version for about $5,500, and within days the local camera shops will be backordered and B&H will be shipping them as fast as they can unload the trucks at their dock. Serious amateurs will be gobbling them up for a little more money than they refused to pay for the D3.

 

Not long after they introduced the D3, they introduced the prosumer version as the D700, and there was a rush to get them. I thought about it for a month, placed my order at my favorite local camera shop, waited ten days for it to come in, and as soon as I got it, they dropped the price $300.  :|

 

I like it a bunch, though.

Holy SH!T.

Rob took the words right out of my mouth.

That camera is amazing. I have a Digital Rebel XTi and I keep wondering if I should switch over to Nikon for my next camera.

Switch over to Nikon and get the D40 for around $400 now..of course if money were no object, I like the new D700 fx model (only $2,700) but alas money is an object.

 

I'm a total newbie but I believe the adage that the digital bodies are "disposable" and if you have money to spend, spend it on good lenses.

D3X review:

 

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you guys are a bad influence. I'm itching for a new toy and this might be it. I think for a newbie like myself, I may take redbrick's advice and get the D40 for starters.

The D40 is a good starting d-SLR, although if you have the money, you should invest in the D90. More functionality (even sans the video option) and you won't be limited on features as you move up in skill and technical know-how.

thanks. I'll look into both